NOTE: Select videos from the tabs at the bottom of the page

Liz Haywood-Sullivan

The Fine Art of Pastel

In my career as a designer, I had worked in numerous design disciplines, but had never really felt a master of any of them. When I left design to focus strictly on my fine art, I wanted to try doing something all in, and the pastel medium caught my attention. I was intrigued with pastel because of its tactile, immediate nature, the intense colors, and the thrill of painting light. I chose not only to work exclusively in pastel, but to focus strictly on landscapes. I figured at some point I’d get bored, or run out of things to say, and look around to other media. Wrong. Instead, the longer I work in pastel the more opportunities open up. The depths of the medium are endless.

This has led me to teaching. Until you try teaching you don’t know if you will like it, or even be good at it. As my career progresses, teaching has become more and more an important part of who I am as an artist. Interacting and sharing with students has informed my work and made me a better artist. The past ten years I have devoted to being president of two art non-profits, first the International Association of Pastel Societies, and currently, the North River Arts Society. After this interlude in the non-profit sector, and after teaching around the world, I believe now is the right time to bring my instruction online to you.

My instructional videos will closely follow my own interests in the pastel medium, which includes living the life of an artist. I can’t separate the two. In addition to lessons in how to use this stunning medium I will also be discussing traveling with pastels, how they are made, framing and presentation, inventory, and so much more. I am open to your suggestions.

It is exciting to bring these videos to life, and I look forward to working with Epiphany to share my love of this remarkable medium with you.

Liz Haywood Sullivan Artist

If we haven’t yet covered a topic you’d like to see let us know and we’ll add it to the list  Thanks! Send us an email

MATERIALS

Select a Tab to See Liz’s Videos

Select a Tab to See Liz's Videos

4 videos found
429views
This is an introduction to the layering technique and terminology that I use in all of my water instruction videos. I recommend that you watch this basics video first.
1,017views
Welcome to my Epiphany Fine Art page.  Let's take a tour of my studio.
687views
The basic construction of a tree is discussed from the trunk to the envelope of smaller branches
725views
Everyone wants to know how to do skyholes. In this video I show you how to paint different types of skyholes, and also discuss why they appear the way they do.

Here you will find all of Liz's videos displayed without categories by date published, from newest to oldest.
76 videos found
16views
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
12views
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
12views
This video describes and illustrates principles of aerial perspective that apply to painting water. Representational painters are magicians - we take a 2D surface and convince people it has three dimensions. These principles are essential tools in ...
45views
It's one of those moments that stops you in your tracks when you come across it. The rising moon has a magic all its own. It doubles when its reflection is captured in water. Let me show you how to capture the effect of this fleeting moment in time.
64views
Waterfalls are dramatic and dazzling. But they can be elusive and difficult to capture, and easy to overdo. Let me give you some techniques to capture a moment in the life of an eye-catching waterfall, with it's splashes and energy. Hint: Don't first ...
46views
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
38views
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
19views
Working on a gallery painting, I show you how I evaluate and make the final marks to finish the water on a icy creek.
27views
Focus on specific techniques for painting realistic water. These include working over an underpainting, dragging, using a sponge, your fingers and brushes.
35views
This discussion goes over several common surface conditions the artist will encounter when painting moving water. I introduce the important concept of using of dark, medium and light lights for mapping.
36views
The final layer of water is what sits on the top surface. This could be water itself in the form of a splash, or it could be a leaf or waterlily quite literally floating on top. I'll demonstrate developing the painting in preparation for the final ...
34views
The final layer of water is what sits on the top surface. This could be water itself in the form of a splash, or it could be a leaf or waterlily quite literally floating on top. I'll demonstrate developing the painting in preparation for the final ...
62views
The subject of this live demo is a swiftly flowing creek full of active, energized water tumbling over a shallow rocky streambed. Let me show you how I approach this complicated type of moving water and chip away at its intricacies, layer by layer.
49views
Water rarely sits still. Whether it is a gust of wind ruffling the surface, a pebble or fish breaking the surface, or currents running deep underneath, the surface of water is constantly moving. Building on the first two layers this video shows how ...
43views
Water rarely sits still. Whether it is a gust of wind ruffling the surface, a pebble or fish breaking the surface, or currents running deep underneath, the surface of water is constantly moving. Building on the first two layers this video shows how ...
45views
Building on your understanding of what lies underneath now we move to how reflections sit on top of water. This full demo offers tips and techniques in how to create accurate and realistic reflections on a quiet mirror-like surface.
52views
Building on your understanding of what lies underneath now we move to how reflections sit on top of water. This full demo offers tips and techniques in how to create accurate and realistic reflections on a quiet mirror-like surface.
41views
Building on your understanding of what lies underneath now we move to how reflections sit on top of water. This full demo offers tips and techniques in how to create accurate and realistic reflections on a quiet mirror-like surface.
85views
When you begin a water painting you will be evaluating your reference, whether on location or from a photo, to determine what is the first layer. This first layer is the ground the rest of your painting relies on. Start watching my water series with ...
69views
When you begin a water painting you will be evaluating your reference, whether on location or from a photo, to determine what is the first layer. This first layer is the ground the rest of your painting relies on. Start watching my water series with ...
118views
A stone thrown into a still pond creates the perfect image to demonstrate the various layers found in water. By approaching painting water as it's having multiple layers assists the pastelist in understanding how to paint realistic water. This ...
429views
This is an introduction to the layering technique and terminology that I use in all of my water instruction videos. I recommend that you watch this basics video first.
265views
This is an important discussion of how neutrals work in pastel and why they are integral to a successful painting. This impacts your choices of which pastels you should consider purchasing for your palette.
49views
Working on a charcoal colored sanded surface, I use a variety of markmaking methods to create the dynamic of swirling snow in a stormy winter scene.
38views
Working on a charcoal colored sanded surface, I use a variety of mark making methods to create the dynamic of swirling snow in a stormy winter scene.
42views
The color and contrast of snow is difficult to accurately capture in a photo. Then again, it's tough to paint snow en plein air! Let me show you an easy way to capture the true color of snow by creating a snow log that is very helpful in your studio.
70views
Have fun delving into playing with fall colors. Starting with a warm toned underpainting, I then turn the trees green and finally drift brilliant fall colors on top. This way fall colors look integrated into the foliage canopy and not garish.
56views
Have fun delving into playing with fall colors. Starting with a warm toned underpainting, I then turn the trees green and finally drift brilliant fall colors on top. This way fall colors look integrated into the foliage canopy and not garish.
124views
Pastels are known for their color and this season is designed for pastel’s brilliant colors. But how do you paint fall without the colors looking too garish? Join Liz as she demonstrates how to use underpainting as a tool to develop realistic fall color.
51views
In this demo I go back to the sunlit Italian alleyway from my video on how cropmarks can be used to help create perspective. Here I use a solid sepia color underpainting to create the underlying color and texture of stucco. This demonstrates how ...
43views
In this demo I go back to the sunlit Italian alleyway from my video on how cropmarks can be used to help create perspective. Here I use a solid sepia color underpainting to create the underlying color and texture of stucco. This demonstrates how ...
132views
In this LIVE demo I will (attempt to) paint a complete 16x16 painting using just one box of 36 neutral toned pastels on top of a monochromatic sepia colored underpainting. I wish to show you how critical neutrals, including grayed-down colors, are to ...
95views
Painting fog is fun! Using black paper as a base helps set the atmosphere for this demo on how to use neutrals to push and pull color and value through a foggy Maine coastline.
66views
Painting fog is fun! Using black paper as a base helps set the atmosphere for this demo on how to use neutrals to push and pull color and value through a foggy Maine coastline.
88views
The next step in this series, how to paint the canopy of a tree's leaves. Leaves group in volumes and rules of how light falls across a volume apply. Includes practical exercises in painting volumes.
74views
Using a colorful underpainting, in this two part introductory video set, let me show you how using warm colors can make greens really sing.
75views
Using a colorful underpainting, in this two part introductory video set, let me show you how using warm colors can make greens really sing.
164views
Representational artist are magicians. We take a two-dimensional surface and with our toolbox of techniques we convince viewers our painting is three dimensional. One of the powerful tools we have to achieve this is aerial perspective. In this ...
60views
Learn how to drape shadows down a wall and across a walkway by following the direction of the building surfaces. Painting shadows requires subtlety in the range of values you use, and the way they can change value and hue within the shadow itself.
45views
Learn how to drape shadows down a wall and across a walkway by following the direction of the building surfaces. Painting shadows requires subtlety in the range of values you use, and the way they can change value and hue within the shadow itself.
39views
Learn how to drape shadows down a wall and across a walkway by following the direction of the building surfaces. Painting shadows requires subtlety in the range of values you use, and the way they can change value and hue within the shadow itself.
106views
Learn how to work with translucency and edge management to create wispy, ethereal clouds with light and movement, not heavy and dense like mashed potatoes..
88views
Raise your hand if you’ve ever gotten lost in painting clouds! Let me show you how to work with big shapes to develop a pleasing composition in a cloudy sky.
61views
Have you ever wondered why the sky is blue? Or why a blue sky is lighter at the horizon? Watch this video for why this important to know as a landscape artist, and how it makes for better paintings.
69views
Starting with a winter tree profile, I demonstrate the evolution of spring, summer and then fall foliage on the same painting.
687views
The basic construction of a tree is discussed from the trunk to the envelope of smaller branches
725views
Everyone wants to know how to do skyholes. In this video I show you how to paint different types of skyholes, and also discuss why they appear the way they do.
173views
Liz’s first demonstration with Epiphany has her painting the coastline of New England in the USA where she lives. Liz is known for her skies and water, the subject of her 2013 book “Painting Brilliant Skies and Water in Pastel”. Join us as she ...
122views
Pulling together all the Good Bones steps in the previous videos, Liz shows how they work together to provide a solid start to any representational painting.
138views
Learning how to edit is a lifetime skill. The more practice you do, the stronger your compositions get. So how do you choose the best composition from a photo reference?
1,017views
Welcome to my Epiphany Fine Art page.  Let's take a tour of my studio.
93views
This short demonstration shows the proper use of a viewfinder outdoors, and how it will help you find the best composition.
46views
The final results of the same image painted on black paper vs. white sanded paper. What do you think? Do you have a favorite?
52views
Painting the same sunset image, but using an underpainting on white sanded paper instead. Working on white produces a brighter, softer effect.
49views
Painting the same sunset image, but using an underpainting on white sanded paper instead. Working on white produces a brighter, softer effect.
47views
Painting the same sunset image, but using an underpainting on white sanded paper instead. Working on white produces a brighter, softer effect.
64views
Working on paper requires a light hand. Watch how to build up layers to get correct values. Also, working on black allows you to work with stronger, brighter pigments. Perfect for a brilliant and dramatic sunset!
56views
Working on paper requires a light hand. Watch how to build up layers to get correct values. Also, working on black allows you to work with stronger, brighter pigments. Perfect for a brilliant and dramatic sunset!
44views
This is a striking demonstration of how a color changes on different colored surfaces.
57views
A discussion of the differences in these two popular pastel painting surfaces. Plus, the best places to get paper and pastels.
63views
In this demo, underpainting colors are still chosen based on value, but the technique and rationale for choosing color is more random and mixed up.
49views
In this demo, underpainting colors are still chosen based on value, but the technique and rationale for choosing color is more random and mixed up.
49views
In this demo, underpainting colors are still chosen based on value, but the technique and rationale for choosing color is more random and mixed up.
98views
This demo shows how working with opposite colors on the color wheel can enliven a predominantly green landscape.
83views
This demo shows how working with opposite colors on the color wheel can enliven a predominantly green landscape.
78views
This demo shows how working with opposite colors on the color wheel can enliven a predominantly green landscape.
108views
What is underpainting? How does it work?
90views
Learn how getting the right value is more important than choosing the right color. Using four values of one color is a good place to start if you’ve never done an underpainting before.
87views
Learn how getting the right value is more important than choosing the right color. Using four values of one color is a good place to start if you’ve never done an underpainting before.
105views
Learn how getting the right value is more important than choosing the right color. Using four values of one color is a good place to start if you’ve never done an underpainting before.
83views
A discussion on how you choose a good color to start a monochromatic underpainting.
82views
This is important! This is the bedrock principle of how to paint with pastels. How to layer pastels of the same value but different hue to create vibrant paintings. Pastelists colormix to get the colors we want.
54views
A discussion of how pastels are made, and what makes their colors standout.
94views
How you can use cropmarks to help get perspective right (even if you don’t know perspective).
98views
Check out this fail proof technique to scale up your image (without using math!). A good way to find the best cropping to fit on your paper.
136views
The first step is to break down your reference image into easily understood shapes and values, giving you the opportunity to learn the “language” of your potential painting.

Check out our artist's Special Events

Click to access Liz's pay-per-view videos and bundles

CLICK FOR DEMO REFERENCE IMAGES

8 videos found
64views
Waterfalls are dramatic and dazzling. But they can be elusive and difficult to capture, and easy to overdo. Let me give you some techniques to capture a moment in the life of an eye-catching waterfall, with it's splashes and energy. Hint: Don't first ...
118views
A stone thrown into a still pond creates the perfect image to demonstrate the various layers found in water. By approaching painting water as it's having multiple layers assists the pastelist in understanding how to paint realistic water. This ...
45views
It's one of those moments that stops you in your tracks when you come across it. The rising moon has a magic all its own. It doubles when its reflection is captured in water. Let me show you how to capture the effect of this fleeting moment in time.
62views
The subject of this live demo is a swiftly flowing creek full of active, energized water tumbling over a shallow rocky streambed. Let me show you how I approach this complicated type of moving water and chip away at its intricacies, layer by layer.
124views
Pastels are known for their color and this season is designed for pastel’s brilliant colors. But how do you paint fall without the colors looking too garish? Join Liz as she demonstrates how to use underpainting as a tool to develop realistic fall color.
132views
In this LIVE demo I will (attempt to) paint a complete 16x16 painting using just one box of 36 neutral toned pastels on top of a monochromatic sepia colored underpainting. I wish to show you how critical neutrals, including grayed-down colors, are to ...
164views
Representational artist are magicians. We take a two-dimensional surface and with our toolbox of techniques we convince viewers our painting is three dimensional. One of the powerful tools we have to achieve this is aerial perspective. In this ...
173views
Liz’s first demonstration with Epiphany has her painting the coastline of New England in the USA where she lives. Liz is known for her skies and water, the subject of her 2013 book “Painting Brilliant Skies and Water in Pastel”. Join us as she ...

 

SILVER SUBSCRIPTION VIDEOS

Unlimited access to Liz’s New Videos for three months, plus these Permanent Core Videos

PERMANENT CORE:

How to Start a Painting

These steps will work for any medium.

The principles I discuss in Good Bones are the structure of my teaching. I suggest you watch them first since I will refer back to these techniques and will be using the terminology I introduce in them throughout my future videos.

These techniques have been passed down to artists for ages, from teacher to student.

They ask you to slow down, not rush into a painting, and apply a more deliberate approach. If you take a deep breath and enter into your painting process by using these steps, it will help you achieve more successful compositions, more accurate drawings, and better values. These steps will make the adolescent stage of your paintings (when they inevitably start to fight you back) less painful, and lead to more successful painting outcomes.

8 videos found
136views
The first step is to break down your reference image into easily understood shapes and values, giving you the opportunity to learn the “language” of your potential painting.
138views
Learning how to edit is a lifetime skill. The more practice you do, the stronger your compositions get. So how do you choose the best composition from a photo reference?
687views
The basic construction of a tree is discussed from the trunk to the envelope of smaller branches
725views
Everyone wants to know how to do skyholes. In this video I show you how to paint different types of skyholes, and also discuss why they appear the way they do.
98views
Check out this fail proof technique to scale up your image (without using math!). A good way to find the best cropping to fit on your paper.
93views
This short demonstration shows the proper use of a viewfinder outdoors, and how it will help you find the best composition.
94views
How you can use cropmarks to help get perspective right (even if you don’t know perspective).
122views
Pulling together all the Good Bones steps in the previous videos, Liz shows how they work together to provide a solid start to any representational painting.

 

NEW Silver Subscription Videos

These are New Videos recently added, and available to Silver subscribers for three months

9 videos found
16views
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
12views
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
12views
This video describes and illustrates principles of aerial perspective that apply to painting water. Representational painters are magicians - we take a 2D surface and convince people it has three dimensions. These principles are essential tools in ...
45views
It's one of those moments that stops you in your tracks when you come across it. The rising moon has a magic all its own. It doubles when its reflection is captured in water. Let me show you how to capture the effect of this fleeting moment in time.
64views
Waterfalls are dramatic and dazzling. But they can be elusive and difficult to capture, and easy to overdo. Let me give you some techniques to capture a moment in the life of an eye-catching waterfall, with it's splashes and energy. Hint: Don't first ...
46views
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
38views
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
62views
The subject of this live demo is a swiftly flowing creek full of active, energized water tumbling over a shallow rocky streambed. Let me show you how I approach this complicated type of moving water and chip away at its intricacies, layer by layer.
429views
This is an introduction to the layering technique and terminology that I use in all of my water instruction videos. I recommend that you watch this basics video first.

6 videos found
136views
The first step is to break down your reference image into easily understood shapes and values, giving you the opportunity to learn the “language” of your potential painting.
138views
Learning how to edit is a lifetime skill. The more practice you do, the stronger your compositions get. So how do you choose the best composition from a photo reference?
98views
Check out this fail proof technique to scale up your image (without using math!). A good way to find the best cropping to fit on your paper.
93views
This short demonstration shows the proper use of a viewfinder outdoors, and how it will help you find the best composition.
94views
How you can use cropmarks to help get perspective right (even if you don’t know perspective).
122views
Pulling together all the Good Bones steps in the previous videos, Liz shows how they work together to provide a solid start to any representational painting.

Under this tab you will find new videos released by Jeanne. These videos are also located under their proper Tab, but are included here as well for ease in finding Jeanne's most recent videos

9 videos found
16views
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
12views
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
12views
This video describes and illustrates principles of aerial perspective that apply to painting water. Representational painters are magicians - we take a 2D surface and convince people it has three dimensions. These principles are essential tools in ...
45views
It's one of those moments that stops you in your tracks when you come across it. The rising moon has a magic all its own. It doubles when its reflection is captured in water. Let me show you how to capture the effect of this fleeting moment in time.
64views
Waterfalls are dramatic and dazzling. But they can be elusive and difficult to capture, and easy to overdo. Let me give you some techniques to capture a moment in the life of an eye-catching waterfall, with it's splashes and energy. Hint: Don't first ...
46views
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
38views
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
62views
The subject of this live demo is a swiftly flowing creek full of active, energized water tumbling over a shallow rocky streambed. Let me show you how I approach this complicated type of moving water and chip away at its intricacies, layer by layer.
429views
This is an introduction to the layering technique and terminology that I use in all of my water instruction videos. I recommend that you watch this basics video first.

10 videos found
57views
A discussion of the differences in these two popular pastel painting surfaces. Plus, the best places to get paper and pastels.
44views
This is a striking demonstration of how a color changes on different colored surfaces.
64views
Working on paper requires a light hand. Watch how to build up layers to get correct values. Also, working on black allows you to work with stronger, brighter pigments. Perfect for a brilliant and dramatic sunset!
56views
Working on paper requires a light hand. Watch how to build up layers to get correct values. Also, working on black allows you to work with stronger, brighter pigments. Perfect for a brilliant and dramatic sunset!
52views
Painting the same sunset image, but using an underpainting on white sanded paper instead. Working on white produces a brighter, softer effect.
49views
Painting the same sunset image, but using an underpainting on white sanded paper instead. Working on white produces a brighter, softer effect.
47views
Painting the same sunset image, but using an underpainting on white sanded paper instead. Working on white produces a brighter, softer effect.
46views
The final results of the same image painted on black paper vs. white sanded paper. What do you think? Do you have a favorite?
54views
A discussion of how pastels are made, and what makes their colors standout.
82views
This is important! This is the bedrock principle of how to paint with pastels. How to layer pastels of the same value but different hue to create vibrant paintings. Pastelists colormix to get the colors we want.

No videos found

11 videos found
108views
What is underpainting? How does it work?
83views
A discussion on how you choose a good color to start a monochromatic underpainting.
105views
Learn how getting the right value is more important than choosing the right color. Using four values of one color is a good place to start if you’ve never done an underpainting before.
87views
Learn how getting the right value is more important than choosing the right color. Using four values of one color is a good place to start if you’ve never done an underpainting before.
90views
Learn how getting the right value is more important than choosing the right color. Using four values of one color is a good place to start if you’ve never done an underpainting before.
98views
This demo shows how working with opposite colors on the color wheel can enliven a predominantly green landscape.
83views
This demo shows how working with opposite colors on the color wheel can enliven a predominantly green landscape.
78views
This demo shows how working with opposite colors on the color wheel can enliven a predominantly green landscape.
63views
In this demo, underpainting colors are still chosen based on value, but the technique and rationale for choosing color is more random and mixed up.
49views
In this demo, underpainting colors are still chosen based on value, but the technique and rationale for choosing color is more random and mixed up.
49views
In this demo, underpainting colors are still chosen based on value, but the technique and rationale for choosing color is more random and mixed up.

12 videos found
51views
In this demo I go back to the sunlit Italian alleyway from my video on how cropmarks can be used to help create perspective. Here I use a solid sepia color underpainting to create the underlying color and texture of stucco. This demonstrates how ...
43views
In this demo I go back to the sunlit Italian alleyway from my video on how cropmarks can be used to help create perspective. Here I use a solid sepia color underpainting to create the underlying color and texture of stucco. This demonstrates how ...
75views
Using a colorful underpainting, in this two part introductory video set, let me show you how using warm colors can make greens really sing.
74views
Using a colorful underpainting, in this two part introductory video set, let me show you how using warm colors can make greens really sing.
88views
The next step in this series, how to paint the canopy of a tree's leaves. Leaves group in volumes and rules of how light falls across a volume apply. Includes practical exercises in painting volumes.
69views
Starting with a winter tree profile, I demonstrate the evolution of spring, summer and then fall foliage on the same painting.
687views
The basic construction of a tree is discussed from the trunk to the envelope of smaller branches
60views
Learn how to drape shadows down a wall and across a walkway by following the direction of the building surfaces. Painting shadows requires subtlety in the range of values you use, and the way they can change value and hue within the shadow itself.
45views
Learn how to drape shadows down a wall and across a walkway by following the direction of the building surfaces. Painting shadows requires subtlety in the range of values you use, and the way they can change value and hue within the shadow itself.
725views
Everyone wants to know how to do skyholes. In this video I show you how to paint different types of skyholes, and also discuss why they appear the way they do.
39views
Learn how to drape shadows down a wall and across a walkway by following the direction of the building surfaces. Painting shadows requires subtlety in the range of values you use, and the way they can change value and hue within the shadow itself.
173views
Liz’s first demonstration with Epiphany has her painting the coastline of New England in the USA where she lives. Liz is known for her skies and water, the subject of her 2013 book “Painting Brilliant Skies and Water in Pastel”. Join us as she ...

4 videos found
88views
Raise your hand if you’ve ever gotten lost in painting clouds! Let me show you how to work with big shapes to develop a pleasing composition in a cloudy sky.
164views
Representational artist are magicians. We take a two-dimensional surface and with our toolbox of techniques we convince viewers our painting is three dimensional. One of the powerful tools we have to achieve this is aerial perspective. In this ...
106views
Learn how to work with translucency and edge management to create wispy, ethereal clouds with light and movement, not heavy and dense like mashed potatoes..
61views
Have you ever wondered why the sky is blue? Or why a blue sky is lighter at the horizon? Watch this video for why this important to know as a landscape artist, and how it makes for better paintings.

20 videos found
64views
Waterfalls are dramatic and dazzling. But they can be elusive and difficult to capture, and easy to overdo. Let me give you some techniques to capture a moment in the life of an eye-catching waterfall, with it's splashes and energy. Hint: Don't first ...
118views
A stone thrown into a still pond creates the perfect image to demonstrate the various layers found in water. By approaching painting water as it's having multiple layers assists the pastelist in understanding how to paint realistic water. This ...
429views
This is an introduction to the layering technique and terminology that I use in all of my water instruction videos. I recommend that you watch this basics video first.
85views
When you begin a water painting you will be evaluating your reference, whether on location or from a photo, to determine what is the first layer. This first layer is the ground the rest of your painting relies on. Start watching my water series with ...
69views
When you begin a water painting you will be evaluating your reference, whether on location or from a photo, to determine what is the first layer. This first layer is the ground the rest of your painting relies on. Start watching my water series with ...
52views
Building on your understanding of what lies underneath now we move to how reflections sit on top of water. This full demo offers tips and techniques in how to create accurate and realistic reflections on a quiet mirror-like surface.
41views
Building on your understanding of what lies underneath now we move to how reflections sit on top of water. This full demo offers tips and techniques in how to create accurate and realistic reflections on a quiet mirror-like surface.
45views
Building on your understanding of what lies underneath now we move to how reflections sit on top of water. This full demo offers tips and techniques in how to create accurate and realistic reflections on a quiet mirror-like surface.
49views
Water rarely sits still. Whether it is a gust of wind ruffling the surface, a pebble or fish breaking the surface, or currents running deep underneath, the surface of water is constantly moving. Building on the first two layers this video shows how ...
43views
Water rarely sits still. Whether it is a gust of wind ruffling the surface, a pebble or fish breaking the surface, or currents running deep underneath, the surface of water is constantly moving. Building on the first two layers this video shows how ...
36views
The final layer of water is what sits on the top surface. This could be water itself in the form of a splash, or it could be a leaf or waterlily quite literally floating on top. I'll demonstrate developing the painting in preparation for the final ...
34views
The final layer of water is what sits on the top surface. This could be water itself in the form of a splash, or it could be a leaf or waterlily quite literally floating on top. I'll demonstrate developing the painting in preparation for the final ...
35views
This discussion goes over several common surface conditions the artist will encounter when painting moving water. I introduce the important concept of using of dark, medium and light lights for mapping.
27views
Focus on specific techniques for painting realistic water. These include working over an underpainting, dragging, using a sponge, your fingers and brushes.
19views
Working on a gallery painting, I show you how I evaluate and make the final marks to finish the water on a icy creek.
46views
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
38views
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
12views
This video describes and illustrates principles of aerial perspective that apply to painting water. Representational painters are magicians - we take a 2D surface and convince people it has three dimensions. These principles are essential tools in ...
16views
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
12views
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.

4 videos found
42views
The color and contrast of snow is difficult to accurately capture in a photo. Then again, it's tough to paint snow en plein air! Let me show you an easy way to capture the true color of snow by creating a snow log that is very helpful in your studio.
70views
Have fun delving into playing with fall colors. Starting with a warm toned underpainting, I then turn the trees green and finally drift brilliant fall colors on top. This way fall colors look integrated into the foliage canopy and not garish.
56views
Have fun delving into playing with fall colors. Starting with a warm toned underpainting, I then turn the trees green and finally drift brilliant fall colors on top. This way fall colors look integrated into the foliage canopy and not garish.
124views
Pastels are known for their color and this season is designed for pastel’s brilliant colors. But how do you paint fall without the colors looking too garish? Join Liz as she demonstrates how to use underpainting as a tool to develop realistic fall color.

4 videos found
49views
Working on a charcoal colored sanded surface, I use a variety of markmaking methods to create the dynamic of swirling snow in a stormy winter scene.
38views
Working on a charcoal colored sanded surface, I use a variety of mark making methods to create the dynamic of swirling snow in a stormy winter scene.
95views
Painting fog is fun! Using black paper as a base helps set the atmosphere for this demo on how to use neutrals to push and pull color and value through a foggy Maine coastline.
66views
Painting fog is fun! Using black paper as a base helps set the atmosphere for this demo on how to use neutrals to push and pull color and value through a foggy Maine coastline.

2 videos found
265views
This is an important discussion of how neutrals work in pastel and why they are integral to a successful painting. This impacts your choices of which pastels you should consider purchasing for your palette.
132views
In this LIVE demo I will (attempt to) paint a complete 16x16 painting using just one box of 36 neutral toned pastels on top of a monochromatic sepia colored underpainting. I wish to show you how critical neutrals, including grayed-down colors, are to ...

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