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How to mix and compare color and value relationships in a painting. Squinting down and naming edges as the colors meet.
How to mix and compare color and value relationships in a painting. Squinting down and naming edges as the colors meet.
Initially, three oily colors are applied to the canvas. With a paper towel move aroung the paint and pull out the lights. Add more darks as needed. Continue to develop the composition and pay attention to the big value shapes.
Continue to wipe out and add paint to keep the value relationships, edge quality and design heading toward a pleasing result. Keep the shapes interesting and avoid sameness. Take frequent breaks, use a mirror, and keep your objectivity. Stop before ...
Finishing the painting. Continue to wipe out and add paint to keep the value relationships, edge quality and design heading toward a pleasing result. Keep the shapes interesting and avoid sameness. Take frequent breaks, use a mirror, and keep your ...
An intro to sketching with gouache.
After taking a break form a painting that you have been working on it becomes clear what the nest step is. In this painting adding more color and opaque paint contributes to the overall effect. Using more paint and allowing it to fall gently off your ...
How and why color charts are vital to your painting practice.
Block in to plan the design for a large scale oil painting
The opaque quality of this medium allows for easy adjustments to improve the design plan
Block in big color shapes for a pleasing design.
Block in a dynamic design creating drama.
Value charts, squinting down, and learning to see the relationships within the painting.
Types of varnish, when to varnish and why.
Please join Mary Rose for part 1 of this live oil painting seascape presentation as she demonstrates how to build a solid foundation for her composition, leading to a dynamic design. Attention is given to the relationship of design, drawing, value, ...
Determine the horizon line and add a few structure lines to begin establishing the design. Add color noted to compare the value and color relationships within the painting. Be aware of the lightest light and darkest dark. What are the leading edges ...
As the painting develops and the colors meet you should paint the edges as they are. Hard, soft or somewhere in between. Keep the most beautiful color and design in the area of the focal point.
