Waterfalls are dramatic and dazzling. But they can be elusive and difficult to capture, and easy to overdo. Let me give you some techniques to capture a moment in the life of an eye-catching waterfall, with it's splashes and energy. Hint: Don't first ...
It's one of those moments that stops you in your tracks when you come across it. The rising moon has a magic all its own. It doubles when its reflection is captured in water. Let me show you how to capture the effect of this fleeting moment in time.
The subject of this live demo is a swiftly flowing creek full of active, energized water tumbling over a shallow rocky streambed. Let me show you how I approach this complicated type of moving water and chip away at its intricacies, layer by layer.
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
This video describes and illustrates principles of aerial perspective that apply to painting water. Representational painters are magicians - we take a 2D surface and convince people it has three dimensions. These principles are essential tools in ...
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
The color and contrast of snow is difficult to accurately capture in a photo. Then again, it's tough to paint snow en plein air! Let me show you an easy way to capture the true color of snow by creating a snow log that is very helpful in your studio.
Have fun delving into playing with fall colors. Starting with a warm toned underpainting, I then turn the trees green and finally drift brilliant fall colors on top. This way fall colors look integrated into the foliage canopy and not garish.
Have fun delving into playing with fall colors. Starting with a warm toned underpainting, I then turn the trees green and finally drift brilliant fall colors on top. This way fall colors look integrated into the foliage canopy and not garish.
Pastels are known for their color and this season is designed for pastel’s brilliant colors. But how do you paint fall without the colors looking too garish? Join Liz as she demonstrates how to use underpainting as a tool to develop realistic fall color.
Raise your hand if you’ve ever gotten lost in painting clouds! Let me show you how to work with big shapes to develop a pleasing composition in a cloudy sky.
In this demo I go back to the sunlit Italian alleyway from my video on how cropmarks can be used to help create perspective. Here I use a solid sepia color underpainting to create the underlying color and texture of stucco. This demonstrates how ...
In this demo I go back to the sunlit Italian alleyway from my video on how cropmarks can be used to help create perspective. Here I use a solid sepia color underpainting to create the underlying color and texture of stucco. This demonstrates how ...
In this LIVE demo I will (attempt to) paint a complete 16x16 painting using just one box of 36 neutral toned pastels on top of a monochromatic sepia colored underpainting. I wish to show you how critical neutrals, including grayed-down colors, are to ...
The next step in this series, how to paint the canopy of a tree's leaves. Leaves group in volumes and rules of how light falls across a volume apply. Includes practical exercises in painting volumes.
The first step is to break down your reference image into easily understood shapes and values, giving you the opportunity to learn the “language” of your potential painting.
Learning how to edit is a lifetime skill. The more practice you do, the stronger your compositions get. So how do you choose the best composition from a photo reference?
Painting fog is fun! Using black paper as a base helps set the atmosphere for this demo on how to use neutrals to push and pull color and value through a foggy Maine coastline.
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
Painting fog is fun! Using black paper as a base helps set the atmosphere for this demo on how to use neutrals to push and pull color and value through a foggy Maine coastline.
Learn how to work with translucency and edge management to create wispy, ethereal clouds with light and movement, not heavy and dense like mashed potatoes..
Have you ever wondered why the sky is blue? Or why a blue sky is lighter at the horizon? Watch this video for why this important to know as a landscape artist, and how it makes for better paintings.
Liz’s first demonstration with Epiphany has her painting the coastline of New England in the USA where she lives. Liz is known for her skies and water, the subject of her 2013 book “Painting Brilliant Skies and Water in Pastel”. Join us as she ...
Pulling together all the Good Bones steps in the previous videos, Liz shows how they work together to provide a solid start to any representational painting.
