Liz Haywood-Sullivan

101 videos found
LHS-Live Demo: Mist on Monhegan
1:57:37
LHS-Live Demo: Mist on Monhegan
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22views
Mist creates maximum atmospheric effects in short distances. It’s fun to paint! Let me show you how to use paper choice and a light hand to create the sense of a misty atmosphere in this image of iconic Monhegan Island off the coast of Maine.
LHS-Two Approaches to Painting Rocks (part 1)
27:51
LHS-Two Approaches to Painting Rocks (part 1)
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30views
Painting realistic rocks is hard. Literally! In this demo I show you two approaches. Part 1 demonstrates painting directly on white sandpaper, using hand blending. Part 2 shows the same scene painted on white sandpaper but uses an underpainting to ...
LHS-Markmaking Part 1: Making Marks
24:09
LHS-Markmaking Part 1: Making Marks
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37views
What do you do with a pastel when you first pick it up. How do you handle it, how do you draw and paint with them. I will walk you through first marks from working with line to layering and blending colors.
LHS-Backlit Wave (part 1)
26:54
LHS-Backlit Wave (part 1)
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32views
Backlighting enhances the drama and beauty of a wave painting. How to pull it off in the under painting stage!
LHS-Backlit Wave (part 2)
30:43
LHS-Backlit Wave (part 2)
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31views
Backlighting enhances the drama and beauty of a wave painting. How to pull it off in the under painting stage!
LHS-Waves Crashing onto Rocks (part 1)
20:20
LHS-Waves Crashing onto Rocks (part 1)
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24views
Using underpainting and building up layers of pastel, from dark to light, to achieve the translucency of water crashing on and moving across shoreline rock outcroppings.
LHS-Waves Crashing onto Rocks (part 2)
27:32
LHS-Waves Crashing onto Rocks (part 2)
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21views
Using underpainting and building up layers of pastel, from dark to light, to achieve the translucency of water crashing on and moving across shoreline rock outcroppings.
LHS-Waves Crashing onto Rocks (part 3)
25:40
LHS-Waves Crashing onto Rocks (part 3)
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20views
Using underpainting and building up layers of pastel, from dark to light, to achieve the translucency of water crashing on and moving across shoreline rock outcroppings.
LHS-Getting Started: Choosing Paper Color
25:50
LHS-Getting Started: Choosing Paper Color
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28views
Being thoughtful about your choice of paper COLOR can enhance your painting and bring it closer to your intent with less pastel and less time. Let me show you how this critical decision works.
LHS-Are your Plein Air Paintings too Dark?
20:35
LHS-Are your Plein Air Paintings too Dark?
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15views
Use these techniques to check the values on your plein air work. Especially helpful if you you are having difficulty capturing correct values outside or find your work looks too dark when you bring it inside.
LHS-Drawing a Winding Stream
18:29
LHS-Drawing a Winding Stream
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27views
A fun exercise in how to map quickly (and painlessly) the complex curves of a winding stream, or road. Test how well you see and render circuitous shapes.
LHS-How to Sign a Pastel Painting
33:55
LHS-How to Sign a Pastel Painting
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83views
You finish a good painting, but it isn't truly done until you have signed it. Tips on how to create a clean, legible signature. What to, and what not to, include on the front - and the back of your paintings.
LHS-Live Demo: Dappled Light On a Woodland Path with Completed Painting Addendum
2:22:10
LHS-Live Demo: Dappled Light On a Woodland Path with Completed Painting Addendum
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126views
Journey with me as I paint the patterns of light and shadow found along a forest pathway. Of special interest will be the color of light in the shadows, what is lost in a photo reference, making shadow patterns move with perspective, and working with ...
LHS-Mastering Edges in Your Clouds (part 1)
25:57
LHS-Mastering Edges in Your Clouds (part 1)
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73views
Improve your cloud paintings by understanding and managing edge control in your clouds. Edges are associated with focal areas and can affect your compositions. How to create different edges - sharp, layered, and lost and found.
LHS-Mastering Edges in Your Clouds (part 2)
28:53
LHS-Mastering Edges in Your Clouds (part 2)
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62views
Improve your cloud paintings by understanding and managing edge control in your clouds. Edges are associated with focal areas and can affect your compositions. How to create different edges - sharp, layered, and lost and found.
LHS-Pricing Your Art
30:52
LHS-Pricing Your Art
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38views
Why is it so hard to price your art? Even established artists shake their heads at the topic. This discussion is my personal take on pricing, based on years of making and selling art, but also from being interested in the topic. Included are factors ...
LHS-Let's Talk About Pastel Papers
27:07
LHS-Let’s Talk About Pastel Papers
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44views
There are so many pastel papers. Where to start? What are they? Where to get them?
LHS-Live Demo: Springtime in the Mountains
2:00:05
LHS-Live Demo: Springtime in the Mountains
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91views
Spring colors, frosty dawn light, and higher mountain altitudes impart their own unique qualities. I’ll discuss the attributes of each and demonstrate how to combine them to paint this image of a young aspen grove overlooking a mountain meadow.
LHS-Don't Use This Color in Sunsets!
33:08
LHS-Don’t Use This Color in Sunsets!
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98views
I don't come down hard on too many color situations but this one is a dealbreaker for me. Especially as a judge. Make sure you don't make this mistake.
LHS-Sun and Shadow on Snow (part 1)
25:47
LHS-Sun and Shadow on Snow (part 1)
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36views
I create a winter snow scene sparkling in brilliant sunshine using my snow log to guide my underpainting and top layer color/value choices
LHS-Sun and Shadow on Snow (part 2)
27:07
LHS-Sun and Shadow on Snow (part 2)
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34views
I create a winter snow scene sparkling in brilliant sunshine using my snow log to guide my underpainting and top layer color/value choices
LHS-Sun and Shadow on Snow (part 3)
27:53
LHS-Sun and Shadow on Snow (part 3)
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33views
I create a winter snow scene sparkling in brilliant sunshine using my snow log to guide my underpainting and top layer color/value choices
LHS-Keeping Track of Your Art
21:21
LHS-Keeping Track of Your Art
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45views
If you've ever forgotten if you entered a show with a particular painting, forgotten to pick up after a show, or just can't find a painting ANYWHERE this discussion is for you. Full of tips and ideas that will make managing your art much easier.
LHS-Live Demo: Travels with your Sketchbook
2:00:34
LHS-Live Demo: Travels with your Sketchbook
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92views
The best way to really capture your travel experiences is not by taking photos. It is by slowing down to really see it, and draw it in a sketchbook. Sketchbooking is an easy, portable way to bring your art with you. In this demo I share with you my ...
LHS-Kickstart Your New Year
25:25
LHS-Kickstart Your New Year
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54views
Where do you want your Art to take you? If you have been painting for awhile this is an important question for reflection. I offer some tips on goalsetting, getting help in evaluating your art, and thoughts on guiding your art where you want.
LHS-Rainy Reflections (part 1)
27:44
LHS-Rainy Reflections (part 1)
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63views
Capturing rain reflections on a sidewalk at dusk is made easier by beginning with a darker paper. A good exercise in working with value.
LHS-Rainy Reflections (part 2)
28:23
LHS-Rainy Reflections (part 2)
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43views
Capturing rain reflections on a sidewalk at dusk is made easier by beginning with a darker paper. A good exercise in working with value.
LHS-Live Demo: Sunstreaks on Water
1:58:43
LHS-Live Demo: Sunstreaks on Water
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73views
Let me show you how to capture the subtle play of sunlight and shadow on water. This can be a complex subject which can require some finesse to accomplish.
Sunstreaks on Water (part 1)
32:27
Sunstreaks on Water (part 1)
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63views
Let me show you how to prepare your painting to the point you can add in those subtle sunstreaks that cast across water at sunrise or sunset.
Sunstreaks on Water (part 2)
24:48
Sunstreaks on Water (part 2)
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57views
Let me show you how to prepare your painting to the point you can add in those subtle sunstreaks that cast across water at sunrise or sunset.
pastel painting of a waterfall painted by Liz Haywood-Sullivan
1:46:25
LHS-Live Demo: Capturing Waterfall Drama
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112views
Waterfalls are dramatic and dazzling. But they can be elusive and difficult to capture, and easy to overdo. Let me give you some techniques to capture a moment in the life of an eye-catching waterfall, with it's splashes and energy. Hint: Don't first ...
LHS-Live Demo: Ripples on Water
2:01:07
LHS-Live Demo: Ripples on Water
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158views
A stone thrown into a still pond creates the perfect image to demonstrate the various layers found in water. By approaching painting water as it's having multiple layers assists the pastelist in understanding how to paint realistic water. This ...
Liz Haywood-Sullivan pastel painting of a moonlit marsh
1:54:27
LHS-Live Demo: Moonrise on the Marsh
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86views
It's one of those moments that stops you in your tracks when you come across it. The rising moon has a magic all its own. It doubles when its reflection is captured in water. Let me show you how to capture the effect of this fleeting moment in time.
LHS-First Layer of Water: What Lies Underneath (part 1)
27:56
LHS-First Layer of Water: What Lies Underneath (part 1)
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113views
When you begin a water painting you will be evaluating your reference, whether on location or from a photo, to determine what is the first layer. This first layer is the ground the rest of your painting relies on. Start watching my water series with ...
LHS-First Layer of Water: What Lies Underneath (part 2)
28:32
LHS-First Layer of Water: What Lies Underneath (part 2)
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96views
When you begin a water painting you will be evaluating your reference, whether on location or from a photo, to determine what is the first layer. This first layer is the ground the rest of your painting relies on. Start watching my water series with ...
Pastel painting of water by Liz Haywood-Sullivan
30:58
LHS-Second Layer of Water: Mirror Reflections (part 1)
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71views
Building on your understanding of what lies underneath now we move to how reflections sit on top of water. This full demo offers tips and techniques in how to create accurate and realistic reflections on a quiet mirror-like surface.
Liz Haywood-Sullivan pastel water instruction
29:01
LHS-Second Layer of Water: Mirror Reflections (part 2)
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59views
Building on your understanding of what lies underneath now we move to how reflections sit on top of water. This full demo offers tips and techniques in how to create accurate and realistic reflections on a quiet mirror-like surface.
LHS-Second Layer of Water: Mirror Reflections (part 3)
26:10
LHS-Second Layer of Water: Mirror Reflections (part 3)
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63views
Building on your understanding of what lies underneath now we move to how reflections sit on top of water. This full demo offers tips and techniques in how to create accurate and realistic reflections on a quiet mirror-like surface.
Moving water pastel painting by Liz Haywood-Sullivan
24:27
LHS-Third Layer of Water: Moving Water (part 1)
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67views
Water rarely sits still. Whether it is a gust of wind ruffling the surface, a pebble or fish breaking the surface, or currents running deep underneath, the surface of water is constantly moving. Building on the first two layers this video shows how ...
Liz Haywood-Sullivan pastel painting of water
29.55
LHS-Third Layer of Water: Moving Water (part 2)
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59views
Water rarely sits still. Whether it is a gust of wind ruffling the surface, a pebble or fish breaking the surface, or currents running deep underneath, the surface of water is constantly moving. Building on the first two layers this video shows how ...
LHS-Fourth Layer of Water: What Lies on Top (part 1)
21:41
LHS-Fourth Layer of Water: What Lies on Top (part 1)
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47views
The final layer of water is what sits on the top surface. This could be water itself in the form of a splash, or it could be a leaf or waterlily quite literally floating on top. I'll demonstrate developing the painting in preparation for the final ...
LHS-Fourth Layer of Water: What Lies on Top (part 2)
27:34
LHS-Fourth Layer of Water: What Lies on Top (part 2)
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46views
The final layer of water is what sits on the top surface. This could be water itself in the form of a splash, or it could be a leaf or waterlily quite literally floating on top. I'll demonstrate developing the painting in preparation for the final ...
LHS-Mapping Moving Water
25:18
LHS-Mapping Moving Water
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56views
This discussion goes over several common surface conditions the artist will encounter when painting moving water. I introduce the important concept of using of dark, medium and light lights for mapping.
Liz Haywood-Sullivan live demo picture
1:59:41
LHS-Live Demo: Tumbling Creek
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103views
The subject of this live demo is a swiftly flowing creek full of active, energized water tumbling over a shallow rocky streambed. Let me show you how I approach this complicated type of moving water and chip away at its intricacies, layer by layer.
LHS-Mark Making for Water
26:45
LHS-Mark Making for Water
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52views
Focus on specific techniques for painting realistic water. These include working over an underpainting, dragging, using a sponge, your fingers and brushes.
LHS-Water Final Touches
24:55
LHS-Water Final Touches
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37views
Working on a gallery painting, I show you how I evaluate and make the final marks to finish the water on a icy creek.
how to paint sand with pastel
26:28
LHS-The Color of Sand (part 1)
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74views
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
Color of Painting Sand with Pastel
28:30
LHS-The Color of Sand (part 2)
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68views
I get asked this all the time. It's a conondrum because sand is a chameleon. It changes it's color based upon the source and color of the light hitting it. So how do you paint it? Let me show you.
LHS-Intro to Arial Perspective Principles for Water
16:37
LHS-Intro to Arial Perspective Principles for Water
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63views
This video describes and illustrates principles of aerial perspective that apply to painting water. Representational painters are magicians - we take a 2D surface and convince people it has three dimensions. These principles are essential tools in ...
LHS-Arial Perspective in Water Reflections (part 1)
25:17
LHS-Arial Perspective in Water Reflections (part 1)
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58views
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
LHS-Dark and Stormy (part 1)
31:38
LHS-Dark and Stormy (part 1)
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72views
Working on a charcoal colored sanded surface, I use a variety of markmaking methods to create the dynamic of swirling snow in a stormy winter scene.
LHS-Dark and Stormy (part 2)
27:56
LHS-Dark and Stormy (part 2)
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60views
Working on a charcoal colored sanded surface, I use a variety of mark making methods to create the dynamic of swirling snow in a stormy winter scene.
LHS-Creating and Using Snow Logs
11:52
LHS-Creating and Using Snow Logs
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61views
The color and contrast of snow is difficult to accurately capture in a photo. Then again, it's tough to paint snow en plein air! Let me show you an easy way to capture the true color of snow by creating a snow log that is very helpful in your studio.
Liz Haywood-Sullivan pastel painting
38:17
LHS-Fall: Turn up the Color! (part 1)
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109views
Have fun delving into playing with fall colors. Starting with a warm toned underpainting, I then turn the trees green and finally drift brilliant fall colors on top. This way fall colors look integrated into the foliage canopy and not garish.
Liz Haywood-Sullivan pastel painting
27:18
LHS-Fall: Turn up the Color! (part 2)
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83views
Have fun delving into playing with fall colors. Starting with a warm toned underpainting, I then turn the trees green and finally drift brilliant fall colors on top. This way fall colors look integrated into the foliage canopy and not garish.
pastel painting by Liz Haywood-Sullivan
2:01:20
LHS-Live Demo: Colorful Autumn
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174views
Pastels are known for their color and this season is designed for pastel’s brilliant colors. But how do you paint fall without the colors looking too garish? Join Liz as she demonstrates how to use underpainting as a tool to develop realistic fall color.
Liz Haywood-Sullivan pastel painting
17:04
Finding Composition in the Clouds
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135views
Raise your hand if you’ve ever gotten lost in painting clouds! Let me show you how to work with big shapes to develop a pleasing composition in a cloudy sky.
pastel painting by Liz Haywood-Sullivan
30:56
LHS-Capturing a Sunlit Moment (part 1)
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79views
In this demo I go back to the sunlit Italian alleyway from my video on how cropmarks can be used to help create perspective. Here I use a solid sepia color underpainting to create the underlying color and texture of stucco. This demonstrates how ...
Pastel painting by Liz Haywood-Sullivan
29:21
LHS-Capturing a Sunlit Moment (part 2)
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68views
In this demo I go back to the sunlit Italian alleyway from my video on how cropmarks can be used to help create perspective. Here I use a solid sepia color underpainting to create the underlying color and texture of stucco. This demonstrates how ...
Liz Haywood-Sullivan pastel painting
18:44
LHS-Dealing with Greens (part 1)
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106views
Using a colorful underpainting, in this two part introductory video set, let me show you how using warm colors can make greens really sing.
Part three of a pastel painting by Liz Haywood-Sullivan
33:28
LHS-Dealing with Greens (part 2)
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107views
Using a colorful underpainting, in this two part introductory video set, let me show you how using warm colors can make greens really sing.
Liz Haywood-Sullivan demo on neutrals image
1:50:51
LHS-Live Demo: The Superpower of Neutrals
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212views
In this LIVE demo I will (attempt to) paint a complete 16x16 painting using just one box of 36 neutral toned pastels on top of a monochromatic sepia colored underpainting. I wish to show you how critical neutrals, including grayed-down colors, are to ...
pastel painting of clouds by Liz Haywood-Sullivan
2:01:05
LHS-Aerial Perspective in the Sky Demo
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242views
Representational artist are magicians. We take a two-dimensional surface and with our toolbox of techniques we convince viewers our painting is three dimensional. One of the powerful tools we have to achieve this is aerial perspective. In this ...
Liz Haywood Sullivan paints a tree
23:15
LHS-Painting a Tree: Massing and Volume
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122views
The next step in this series, how to paint the canopy of a tree's leaves. Leaves group in volumes and rules of how light falls across a volume apply. Includes practical exercises in painting volumes.
Liz Haywood-Sullivan demo sketch
24:00
LHS-Begin with Simple Shapes and Value Sketches
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190views
The first step is to break down your reference image into easily understood shapes and values, giving you the opportunity to learn the “language” of your potential painting.
Liz Haywood-Sullivan pastel demonstration
21:15
LHS-Editing for Better Compositions
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179views
Learning how to edit is a lifetime skill. The more practice you do, the stronger your compositions get. So how do you choose the best composition from a photo reference?
pastel painting of fog
34:43
LHS-Painting Fog (part 1)
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126views
Painting fog is fun! Using black paper as a base helps set the atmosphere for this demo on how to use neutrals to push and pull color and value through a foggy Maine coastline.
Liz Haywood-Sullivan pastel painting demo
28:34
LHS-Foliage Through the Seasons
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107views
Starting with a winter tree profile, I demonstrate the evolution of spring, summer and then fall foliage on the same painting.
LHS-Arial Perspective in Water Reflections (part 2)
27:29
LHS-Arial Perspective in Water Reflections (part 2)
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42views
This full demo incorporates many of the aerial perspective principles laid out in my introductory video. The focus is on how the execution of reflections can indicate three-dimensional distance and depth.
pastel painting of fog by Liz Haywood-Sullivan
26:05
LHS-Painting Fog (part 2)
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89views
Painting fog is fun! Using black paper as a base helps set the atmosphere for this demo on how to use neutrals to push and pull color and value through a foggy Maine coastline.
Liz Haywood-Sullivan pastel painting
31:01
LHS-Painting Water Vapor Not Mashed Potatoes
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153views
Learn how to work with translucency and edge management to create wispy, ethereal clouds with light and movement, not heavy and dense like mashed potatoes..
Shadows on a wall pastel part one Liz Haywood-Sullivan
25:17
LHS-Shadows on a Wall (part 1)
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84views
Learn how to drape shadows down a wall and across a walkway by following the direction of the building surfaces. Painting shadows requires subtlety in the range of values you use, and the way they can change value and hue within the shadow itself.
Liz Haywood-Sullivan pastel painting
28:40
LHS-Shadows on a Wall (part 2)
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64views
Learn how to drape shadows down a wall and across a walkway by following the direction of the building surfaces. Painting shadows requires subtlety in the range of values you use, and the way they can change value and hue within the shadow itself.
Liz Haywood-Sullivan pastel demonstration reference photo
23:01
LHS-Scaling Up Your Image Properly
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139views
Check out this fail proof technique to scale up your image (without using math!). A good way to find the best cropping to fit on your paper.
Pastel painting by Liz Haywood-Sullivan
25:38
LHS-Shadows on a Wall (part 3)
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65views
Learn how to drape shadows down a wall and across a walkway by following the direction of the building surfaces. Painting shadows requires subtlety in the range of values you use, and the way they can change value and hue within the shadow itself.
Liz Haywood Sullivan pastel painting reference
23:27
LHS-The Why of Blue Skies
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85views
Have you ever wondered why the sky is blue? Or why a blue sky is lighter at the horizon? Watch this video for why this important to know as a landscape artist, and how it makes for better paintings.
Liz Haywood-Sullivan demo image
11:48
LHS-The Value of a Viewfinder
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136views
This short demonstration shows the proper use of a viewfinder outdoors, and how it will help you find the best composition.
LIz Haywood-Sullivan pastel painting demo
1:55:24
LHS-Demo: The Dance Between Sky and Water
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237views
Liz’s first demonstration with Epiphany has her painting the coastline of New England in the USA where she lives. Liz is known for her skies and water, the subject of her 2013 book “Painting Brilliant Skies and Water in Pastel”. Join us as she ...
Liz Haywood-Sullivan demo photo
16:18
LHS-Using Cropmarks for Perspective
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131views
How you can use cropmarks to help get perspective right (even if you don’t know perspective).
Liz Haywood-Sullivan pastel painting image
24:25
LHS-Working on Paper vs. Sanded Paper
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73views
A discussion of the differences in these two popular pastel painting surfaces. Plus, the best places to get paper and pastels.
Liz Haywood-Sullivan pastel demonstration image
7:29
LHS-Using Black vs. White Paper – Vive La Différence!
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64views
This is a striking demonstration of how a color changes on different colored surfaces.
Liz Haywood-Sullivan pastel painting demo
29:23
LHS-Pastel Painting on Black (non-sanded) Paper Demonstration (part 1)
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86views
Working on paper requires a light hand. Watch how to build up layers to get correct values. Also, working on black allows you to work with stronger, brighter pigments. Perfect for a brilliant and dramatic sunset!
Liz Haywood-Sullivan pastel painting
34:50
LHS-Pastel Painting on Black (non-sanded) Paper Demonstration (part 2)
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75views
Working on paper requires a light hand. Watch how to build up layers to get correct values. Also, working on black allows you to work with stronger, brighter pigments. Perfect for a brilliant and dramatic sunset!
Liz Haywood-Sullivan pastel painting demonstration
27:54
LHS-Pastel Painting on White Sanded Paper Demonstration (part 1)
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67views
Painting the same sunset image, but using an underpainting on white sanded paper instead. Working on white produces a brighter, softer effect.
Liz Haywood-Sullivan pastel painting demonstration
36:44
LHS-Pastel Painting on White Sanded Paper Demonstration (part 2)
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61views
Painting the same sunset image, but using an underpainting on white sanded paper instead. Working on white produces a brighter, softer effect.
Liz Haywood-Sullivan pastel painting demonstration
29:18
LHS-Pastel Painting on White Sanded Paper Demonstration (part 3)
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59views
Painting the same sunset image, but using an underpainting on white sanded paper instead. Working on white produces a brighter, softer effect.
Liz Haywood-Sullivan pastel paintings
4:46
LHS-Comparing the Final Paintings on Black vs. White
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62views
The final results of the same image painted on black paper vs. white sanded paper. What do you think? Do you have a favorite?
Liz Haywood-Sullivan pastel painting demonstration
5:13
LHS-Introduction to Underpainting
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151views
What is underpainting? How does it work?
Liz Haywood-Sullivan Monochromatic Underpainting demonstration image
11:00
LHS-Evaluating Color Options for a Monochromatic Underpainting
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120views
A discussion on how you choose a good color to start a monochromatic underpainting.
Liz Haywood-Sullivan pastel underpainting demo
29:51
LHS-Monochromatic Underpainting Demonstration (part 1)
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145views
Learn how getting the right value is more important than choosing the right color. Using four values of one color is a good place to start if you’ve never done an underpainting before.
Liz Haywood-Sullivan Monochromatic Underpainting demonstration image
26:55
LHS-Monochromatic Underpainting Demonstration (part 2)
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124views
Learn how getting the right value is more important than choosing the right color. Using four values of one color is a good place to start if you’ve never done an underpainting before.
Liz Haywood-Sullivan Monochromatic Underpainting demonstration image
27:47
LHS-Monochromatic Underpainting Demonstration (part 3)
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120views
Learn how getting the right value is more important than choosing the right color. Using four values of one color is a good place to start if you’ve never done an underpainting before.
Liz Haywood-Sullivan pastel underpainting demo
23:13
LHS-Complementary Underpainting Demonstration (part 1)
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126views
This demo shows how working with opposite colors on the color wheel can enliven a predominantly green landscape.
Liz Haywood-Sullivan pastel underpainting demo
24:56
LHS-Complementary Underpainting Demonstration (part 2)
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111views
This demo shows how working with opposite colors on the color wheel can enliven a predominantly green landscape.
Liz Haywood-Sullivan pastel painting demonstration
21:44
LHS-Complementary Underpainting Demonstration (part 3)
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106views
This demo shows how working with opposite colors on the color wheel can enliven a predominantly green landscape.
Liz Haywood Sullivan pastel painting demonstration
27:09
LHS-Freeform Underpainting Demonstration (part 1)
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86views
In this demo, underpainting colors are still chosen based on value, but the technique and rationale for choosing color is more random and mixed up.
Liz Haywood-Sullivan pastel underpainting demo
27:41
LHS-Freeform Underpainting Demonstration (part 2)
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72views
In this demo, underpainting colors are still chosen based on value, but the technique and rationale for choosing color is more random and mixed up.
Liz Haywood Sullivan pastel painting demonstration
28:42
LHS-Freeform Underpainting Demonstration (part 3)
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70views
In this demo, underpainting colors are still chosen based on value, but the technique and rationale for choosing color is more random and mixed up.
Liz Haywood-Sullivan pastels image
6:48
LHS-What are Pastels?
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80views
A discussion of how pastels are made, and what makes their colors standout.
Liz Haywood-Sullivan colormixing photo
11:03
LHS-Colormixing with Pastels
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123views
This is important! This is the bedrock principle of how to paint with pastels. How to layer pastels of the same value but different hue to create vibrant paintings. Pastelists colormix to get the colors we want.
Liz Haywood-Sullivan pastel painting demo
21:19
LHS-Putting It All Together
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Pulling together all the Good Bones steps in the previous videos, Liz shows how they work together to provide a solid start to any representational painting.