Initially, three oily colors are applied to the canvas. With a paper towel move aroung the paint and pull out the lights. Add more darks as needed. Continue to develop the composition and pay attention to the big value shapes.
Continue to wipe out and add paint to keep the value relationships, edge quality and design heading toward a pleasing result. Keep the shapes interesting and avoid sameness. Take frequent breaks, use a mirror, and keep your objectivity. Stop before ...
Finishing the painting. Continue to wipe out and add paint to keep the value relationships, edge quality and design heading toward a pleasing result. Keep the shapes interesting and avoid sameness. Take frequent breaks, use a mirror, and keep your ...
Today we are going to paint a plein air scene at Bass Rocks. Underpainting with Transparent red oxide and Gamsol (Odorless Mineral Spirits). This creates a blueprint for design, values, edge relationships. One bristle brush and Viva paper towels. The ...
Today we are going to paint a plein air scene at Bass Rocks. Underpainting with Transparent red oxide and Gamsol (Odorless Mineral Spirits). This creates a blueprint for design, values, edge relationships. One bristle brush and Viva paper towels. The ...
After taking a break form a painting that you have been working on it becomes clear what the nest step is. In this painting adding more color and opaque paint contributes to the overall effect. Using more paint and allowing it to fall gently off your ...
Today we are going to paint a plein air scene at Pemiquid rocks. A small pencil sketch is advisable to determine your design. I used structure lines without any details. The lines are an integral part of this dramatic composition. Start to sdd color ...
Today we are going to paint a plein air scene at Pemiquid rocks. A small pencil sketch is advisable to determine your design. I used structure lines without any details. The lines are an integral part of this dramatic composition. Start to sdd color ...
Today we are going to paint a plein air scene at Pemiquid rocks. A small pencil sketch is advisable to determine your design. I used structure lines without any details. The lines are an integral part of this dramatic composition. Start to sdd color ...
In this video I will show from start to finish how to paint a pumpkin in a still life. Use a slight neural green mixture with Gamsol (OMS) to quiet the white of the canvas. Using a darker color make structure lines to determine where the shapes are ...
In this video I will show from start to finish how to paint a pumpkin in a still life. Use a slight neural green mixture with Gamsol (OMS) to quiet the white of the canvas. Using a darker color make structure lines to determine where the shapes are ...
In this video I will show from start to finish how to paint a pumpkin in a still life. Use a slight neural green mixture with Gamsol (OMS) to quiet the white of the canvas. Using a darker color make structure lines to determine where the shapes are ...
Please join Mary Rose for part 1 of this live oil painting seascape presentation as she demonstrates how to build a solid foundation for her composition, leading to a dynamic design. Attention is given to the relationship of design, drawing, value, ...
Determine the horizon line and add a few structure lines to begin establishing the design. Add color noted to compare the value and color relationships within the painting. Be aware of the lightest light and darkest dark. What are the leading edges ...
As the painting develops and the colors meet you should paint the edges as they are. Hard, soft or somewhere in between. Keep the most beautiful color and design in the area of the focal point.
